Movements may be individual recordings, but each movement should be one uninterrupted recording please include at least one slow tempo movement: Applicants will be notified in January of their live audition status.Īpplicants should submit a video (recently recorded) of the following. The organ in Field Concert Hall is an Aeolian-Skinner, 5 manuals, 116 ranks.Īll string applicants must be prepared to play all major and minor scales and arpeggios in fluent tempo.Īpplicants must submit a screening video with the application to be considered for the live auditions. A modern composition will be sent to each auditionee one month prior to auditions and will be performed (from memory, if preferred) at the audition. Organ applicants will also be asked to sight read. Please note: The Romantic piece and 20/21st century piece should contrast, one being lyrical and the other virtuosic. One piece idiomatic of the 20th/21st century.Any third movement from a Trio Sonata by J.S. 2, No.1 | IV)Īpplicants must be prepared to play from memory, in addition to all of the prescreening repertoire above, a complete major work (minimum 10–12 minutes in length) of their choice.Īpplicants will be asked to play the following pieces from memory. each selection should be a separate file, clearly labeled according to the format: Last Name, First Name | Composer, Title, Key, Opus Number | Movement Number (example: Smith, Joe | Beethoven Sonata in F minor, Op.movements may be recorded separately, but each movement should be one uninterrupted recording with no splicing or editing (except equalization and/or reverb).recorded not more than six months before the application deadline.No substitutions for the above repertoire will be allowed. One slow (lyrical) and one fast (virtuosic) selection from the works of Chopin for solo piano (no works for piano and orchestra will be acceptable).One of the sonatas listed below, complete:.Applicants will be notified in January of their live-audition status.Īpplicants must submit a video of the following: In order to be considered for a live audition, applicants must submit a prescreening video together with their application. Takemitsu, Toward the Sea (for alto flute and guitar), movement 3.Lerdahl, Three Bagatelles (for violin and guitar), movement 2.Kolb, Umbrian Colors (for violin and guitar), movement 1.One of the following chamber pieces (chamber partner provided) One of the following concertos (first movement only accompanist provided)Į. Ponce, Variations and Fugue on “La Folia”ĭ.Sor, Souvenirs d’une Soiree a Berlin, Op.Regondi, Introduction and Caprice, Op.Giuliani, Variations on a March by Cherubini, Op.Bach, Prelude, Fugue and Allegro, BWV 998 Bach, Chaconne from Partita in D minor, BWV 1004 Two of the following études by different composers: Everything except the chamber piece is to be played from memory.Ī. The recording must be representative of the applicant’s current work.Īll Conducting Fellow applicants selected for a live audition must demonstrate their knowledge of score analysis, harmony, counterpoint, score reading, and aural maturity in a 45-minute private session with members of the Curtis Musical Studies faculty as well as a 90-minute group session consisting of a series of dictations and a written exam covering music terminology, orchestration, and knowledge of repertoire.Īpplicants selected as finalists will move on to the conducting round of the audition. Repertoire for the final conducting round will be announced at least three weeks in advance of the live audition.Īpplicants will play works selected from categories A through E. The excerpts can be derived from performances or rehearsals, and the entire recording should not exceed 20 minutes in length.
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